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• To commemorate the 40th anniversary of Elvis Presley’s death, we are keeping his spirit alive by looking back at his Top 10 movies.
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Elvis Presley’s 1. Best Movies – Variety. Elvis Presley’s 1. Watch The Dangerous Lives Of Altar Boys Online. Greatest Films. To commemorate the 4. Elvis Presley’s death — well, OK, his alleged death — we are keeping his spirit alive by looking back at the Top 1. Steve Morley/Getty Images. The Trouble with Girls (1.

Elvis comes off more like a genial emcee than the main attraction in his penultimate star vehicle, a lightly likeable mashup of period dramedy, variety show and, starting at the midway point, murder mystery. The King is well cast as the smooth- talking manager of a traveling Chautauqua company who, in 1. Iowa town. But he serves the story by receding into the background whenever director Peter Tewksbury (making amends for helming 1.

From the label; Elvis One proudly presents ANTHOLOGY PART TWO. This new volume includes 40 tracks, 18 previously unreleased and even 25 previously unreleased by. Dead Sea Online Putlocker. Even if you are just reading ElvisBlog for the first time, I’m sure you recognized them as Santa Claus and Elvis Presley. However, if you’ve been a reader for the.

Stay Away, Joe,” one of Elvis’ very worst films) parcels out screen time to the supporting players, a crazy- quilt ensemble that includes Sheree North, Dabney Coleman, Marlyn Mason, Joyce Van Patten, Vincent Price, John Carradine, and Nicole Jaffee (the original voice of Velma is the “Scooby Doo” cartoons). Elvis on Tour (1.

The King’s final film made lightning strike a second time for MGM two years after the studio’s success with another celebratory musical documentary, “Elvis: That’s the Way It is.” Praised by critics and embraced by fans, the ’7. Elvis on a 1. 5- city tour just five years before his death at age 4. Bridge Over Troubled Water,” “Never Been to Spain”) to his own greatest hits (“Love Me Tender,” “Burning Love”). No less a notable than Martin Scorsese served as montage supervisor for the movie, which has the distinction of being the only Elvis movie ever to receive a significant award: A Golden Globe for Best Documentary. Kid Galahad (1. 96.

Believe it or not, this one is a remake of the 1. Warner Bros. melodrama directed by Michael Curtiz (who, two decades later, worked with The King on “King Creole”) and starred Edward G. Robinson, Bette Davis and Wayne Morris. In this, ahem, re- imagined version directed by Phil Karlson (“The Brothers Rico”), Elvis plays the equivalent of the character originally essayed by Morris, an amiable ex- G. I. who returns to his hometown in the Catskills resort area, where he impresses a washed- up boxing promoter (Gig Young) by demonstrating knockout prowess as a natural- born pugilist. While Young feasts on the scenery with relentless relish, Elvis goes the distance with easygoing aplomb — even during credibility- straining scenes where his character takes a licking but keeps on ticking in the ring — and Charles Bronson lends strong support as a seen- it- all trainer who suffers greatly for his loyalty to the young fighter.

Love Me Tender (1. Elvis is a co- star, not the lead, in his first big- screen outing, a creaky but compelling post- Civil War drama about a Confederate soldier (Richard Egan) who returns home to find his sweetheart (Debra Paget) married his younger brother (Elvis) after receiving greatly exaggerated reports of his death. Complications ensue. Egan’s heartbroken Vance Reno behaves nobly, but Elvis’ insecure Clint Reno is driven to extremes by irrational jealousy — until he is conveniently killed to allow for a reasonably happy ending. To cushion the blow for The King’s many fans — who, of course, helped turn the film into a box- office smash — the filmmakers superimposed an image of Elvis crooning the title song over the final graveside scene. Yes, it’s true: Even in an 1.

Elvis got to sing, strum his guitar, and shake those hips. You have to keep the customers satisfied.)6. Wild in the Country (1. Playwright Clifford Odets provided the screenplay (based on J. R. Salamanca’s novel) for an emotionally charged movie that, in retrospect, can be viewed as The King’s farewell to serious drama and brooding moodiness.

Blue Hawaii,” also released in 1. Ironically, Elvis proved conclusively here that he had the potential to tackle even more challenging roles with his affecting portrayal of an angry young man who, while on probation for inflicting serious bodily harm on his brother, reveals previously untapped potential as a writer. He’s torn between a good girl (Millie Perkins) and a not- so- good one (Tuesday Weld), but winds up falling hard for the (slightly) older psychologist (Hope Lange) who wants him to be all he can be. Under Philip Dunne’s sensitive direction, Elvis and Lang share the most tender love scene ever to appear in any of The King’s movies. Flaming Star (1. 96.

Director Don Siegel was able to keep the songs to an absolute minimum and, more important, convince Elvis to risk giving his all during some highly emotional moments in this engrossing Western about a half- breed (Elvis) torn between white and Kiowa cultures. Elvis earned appreciative notices for his performance in a role that, according to Stuart M.

Kaminsky’s 1. 97. Don Siegel: Director,” originally was intended for Marlon Brando. Unfortunately, the movie itself was a box- office under- achiever. Presley was very good in the picture,” Siegel is quoted as saying in Kaminsky’s book. However, I think one of the reasons the picture did not get the recognition I feel it deserves, especially in terms of its presentation of a racial conflict, is that the public was unable to get beyond the fact that Elvis Presley was in it.”4. Blue Hawaii (1. 96. The King already had seven features to his credit by the time he made “Blue Hawaii,” but this frothy musical comedy more or less set the mold for what most folks now think of as “an Elvis movie” – lightweight fun and frolic, often in an exotic locale, involving a lovable hunk who sings and sways his way through minimally daunting challenges while encountering only temporary impediments to happily- ever- aftering with a young lovely.

Here, Elvis plays Chad Gates, an ex- G. I. who, upon returning home to Hawaii, rejects a job with his father’s fruit company in order to hang with his beach buddies, surf and swim, and work as a tour guide in partnership with his curvy sweetie (Joan Blackman). It’s one of Elvis’ most ingratiating performances, in one of his most undemandingly pleasant movies — with (except for the title song and “Can’t Help Falling in Love”) some of his most forgettable songs. Go figure. 3. Jailhouse Rock (1. Most folks remember this musical melodrama only for the classically campy, insistently exuberant production number (arguably Elvis’ greatest on- screen moment ever) that hard- sells the title song.

But take a second look: In sharp contrast to the formulaic fluff frequently concocted for The King throughout the ‘6. Jailhouse Rock” actually attempts to package Presley as a semi- sensitive anti- hero with pronounced tendencies toward badassery. After beating a man to death with his bare hands in a barroom brawl (which, to be fair, he didn’t start), construction worker Vincent Everett (Presley) spends a year behind bars as the cellmate of a washed- up country singer (Mickey Shaughnessy) who teaches him how to play a guitar and carry a tune. Once released, Vincent becomes a chart- topping recording star, signs a contract to make Hollywood movies — and devolves into an unpleasantly selfish lout until his former cellmate shows up to provide tough- love discipline by punching him in the larynx. Don’t worry: There’s no permanent damage.) 2. Viva Las Vegas (1. If you looked up the term “guilty pleasure” in the “Illustrated Dictionary of Cinema,” you’d likely see a photo of Elvis and Ann- Margret shaking their groove things and generating high- potency chemistry in director George Sidney’s well- nigh irresistible extravaganza.

The plot, no more complicated than it has to be, revolves around Lucky Jackson (Presley), a race- car driver who unluckily loses the money he needs for a new engine, and seeks employment as a hotel waiter while romancing swimming instructor Rusty Martin (Ann- Margret) as a fringe benefit.