Maria Muldaur - Reviews. Meet her at the Oasis: Maria Muldaur, Matriarch of Rock and Roll. Song stylist Maria Muldaur is considered by many to be one of the first female. She was the third woman ever to be on the cover of Rolling Stone magazine. Her fame was ignited by. Midnight at the Oasis" and Maria has since gone on to become the first lady of.

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American Roots Music - a title she wears well. Her singing is a gift she still takes on the road most of the. She has mastered many musical genres: blues, early jazz, gospel, folk, country, and R& B.

In concert she. can shift from one incarnation to another as smoothly as the transmission on a Rolls Royce. Muldaur was born in New York. Her first love was country & western music and she sang C& W with her aunt from. During her teenage years she moved on to R& B, rock & roll, then "girl group" pop. In high school. she formed a girl group called the Cashmeres. Growing up in the Greenwich Village area, she became fascinated with its booming early '6. Most of the women living in the artist milieu of the time were.

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Maria was considered an equal. She was the musical peer of many of the. Bob Dylan. West Coast editor Al Carlos Hernandez, had a chance to sit down with the rock music icon and encouraged her to. AC: How did it feel to be the third woman ever to be on the cover of Rolling Stone magazine? Muldaur: This is the first I've been made aware that I was the third woman to be on the cover! Whatever number. I was, I gotta say, having Annie Liebowitz's wonderfully juicy photo of me on the cover (not to mention the. AC: Tell us about your friendship with Bob Dylan, The Band, Bonnie Raitt, Joan Baez, John Sebastian, and the.

Grateful Dead. How do they view you and your talent? How have you helped other careers along the way? Muldaur: I grew up in Greenwich Village in NYC, the epicenter of all things hip, and in the early '6. I. became very active in the folk revival that was going on right at my doorstep. People were discovering and. American Roots Music, blues, bluegrass, Appalachian and jug band music, etc. It was a time of very exciting musical discovery for me.

I was learning to sing the blues while playing old. My buddies, John Sebastian, David Grisman and others, formed the Even Dozen Jug Band. It was around that time (1.

I met Bob Dylan when he first arrived on. I met Joan Baez a few years later when I moved to Cambridge, another power spot of this music.

I moved there when I fell in love with Geoff Muldaur, the handsome blue- eyed blues singer from the illustrious. Jim Kweskin Jug Band. Watch Gen 13 Online Hitfix there. Shortly after moving there, I was asked to join the Kweskin band. My. very first gig with the Kweskin band was at the Newport Folk Festival in '6. We were on that same infamous.

Dylan went electric![Ed. To learn more about that experience see Maria's interview in the Marin Scorsese film, No Direction. Home]Despite all the booing, which continued for about two years, Dylan never looked back and started touring with. The Band. I remember them all coming up to Cambridge for a concert, and all of us enjoyed a marathon.

Oh those were the days. In 1. 97. 0, we moved to Woodstock, NY - yet another "power spot" of the music scene. Tucked around in the woods.

Bob Dylan, The Band, Paul Butterfield and his Blues. Band, Todd Rundgren, and Janis Joplin's Full Tilt Boogie Band, who had relocated there from San Francisco. Janis' sudden death. Talk about the hills being "alive with the sound of music." With all these amazing musicians living in such. Watch Satanic Panic Streaming on this page. When I think of some of the amazing jams that took place. I participated in it, I realize what a very special time that was! Albert Grossman, who managed all of the above bands, built Bearsville Studios, deep in the woods, where we all.

It was about that time I was invited down to the session of a young blues woman named Bonnie Raitt. I was blown away by her soulful singing and awesome slide guitar work, and also quite impressed with how she. She was a fan of. Kweskin Jug Band when she was in college at Cambridge. We bonded immediately. I moved from Woodstock, NY to LA around the time of my big hit, Midnight At The Oasis, in 1. At this time. I started going with John Kahn, the bass player for the Jerry Garcia Band.

I continued with my own career when. I moved to the San Francisco Bay Area to be with him, and continued touring with my own band and recording. Warner Brothers. However, I was a big fan of the Jerry Garcia band, especially when they had Ron Tutt, Elvis Presley's drummer. They often asked me to sit in, which I enjoyed immensely, and eventually. I did. I performed, recorded and toured with them from. Because of that, I became a part of the extended Grateful Dead Family, which was quite an. AC: I understand that the men considered you a musical peer, while most of the women were girlfriends and.

Why did the men embrace you as a peer? Who was your greatest supporter? Muldaur: You know, I came up before the women's lib movement, and though I've often been asked how I was. I can honestly say I never experienced the barriers everyone seems. All I know is, the. I began to sing at parties and jams and hootenannies (what we used to call open mike nights), I was. Recently, I was talking to my dear old friend Taj Mahal, (who I also met back in '6.

Village) and he. said to me, "Make no mistake, Maria, even back then, when you were first starting, everybody could tell that. Of course, your musicianship and chops have grown immensely from that day to this, but.

My greatest and earliest supporter would have to be the legendary classic blues queen Victoria Spivey. A. contemporary of Bessie Smith and a big blues star in her day, she was on the folk scene in the early '6. As. far as I know, she was the first artist to be savvy enough to have her own record label, Spivey Records.

She. was always out scouting new talent for her label. She was the one who suggested to the young bucks in the Even. Dozen Jug Band that they needed some "sex appeal" on stage, and that they should invite me to join their band. She took me under her wing and started turning me on to all the great early blues that has inspired and.

AC: How did "Midnight At The Oasis" change your life? How did it feel to be world famous? Muldaur: Despite my huge success in the realm of pop music with my mega- hit, Midnight At The Oasis, my.

American. Roots Music. Since I never started playing music to be rich and world famous, I enjoyed the success immensely. But my main reaction to the sudden.